Workshop

Angelo Loy ( -top )
Italy - Documentary film maker - Collaborator of AMREF
1. AMREF documentaries
2. Development in creativity(about shown film) 

Chris Lunch ( -top )
France - Director - InsightShare, Montlaur (F)
1. Insight Share
2. How does Participatory Video work
3. Camera and democratic tool
4. PV as a mean of change
5. PV and self confidence
6. Budget questions
7. Facilitators
8. About ESoDoc

Chris Wherry( -top )
Slovenia - Independent sound engineer and traine
1. Importance of sound in film
2. Advises to filmmakers
3. ESoDoc

Eric van den Broek( -top )
Netherlands - Documentary film maker and holder - Stichting Videoletters, Amsterdam (NL)
1. Videoletters
2. Financing
3. Critical Voices
4. ESoDoc

Giulio Cederna( -top )
Italy - PR officer - AMREF Italia, Rome (I)
1. Introduction of AMREF
2. Importancy of communication and involvment of local people
3. Relationship between filmmaker and NGOs

Heino Deckert( -top )
Germany - Managing director - ma.ja.de, Berlin (D)
1. Chances of ESoDoc
2. Alternatives of financing documentaries
3. Tasks of distribution companies
4. Investment in films
5. Requirements of films for international market
6. Commercial success of films
7. Tendencies in documentary market
8. Production processes and the market

Hugh Purcell( -top )
United Kingdom - Head of studies ESoDoc
1. What is ESoDoc about
2. Importance of new media for ESoDoc
3. ESoDoc

Jacek Petrycki( -top )
Poland - Independent director of photography and teacher - The Andrzej Wajda Master School of Film Directing, Warsaw (PL)
1. Whot is most important in behaviour when working in hard conditions
2. Ideal Relationship between director and camera
3. ESoDoc
4. Personal background & Can docs change the world?
5. Future?

Jenny Richards( -top )
UK - Executive Producer - TVE, London (UK)
1. Background TVE
2. MDG and TVE
3. How they work
4. Different formats of TVE
5. Audience of TVE films
6. TVE a specific NGO
7. Budget questions
8. Production reality
9. About ESoDoc

Katerina Cizek( -top )
Canadian - Independent documentary film maker
1. Upcoming of Handicam Revolution
2. Example of how the handicam became a political instrument
3. The human rights organisation WITNESS
4. Personal Background
5. ESoDoc

Martin Atkin( -top )
Netherlands - Senior Producer - Greenpeace Image, Amsterdam (NL)
1. Greenpeace images
2. Film about
3. Cooperation broadcasters
4. ESoDoc

Mick Csáky( -top )
United Kingdom - Executive producer - Antelope, London (UK)
1. Personal background
2. Problem with co-productions
3. Responsibility of a program maker
4. Africa Live project
5. The power of television, new media and high technologies
6. ESoDoc

Neelima Mathur( -top )
India - Executive producer, writer and researcher - Formedia - Foundation for responsible Media, New Delhi (IN)
1. Background Spotfilm
2. NGO critic
3. Western filmmakers in foreign countries
4. Human stories
5. NGO vision
6. Working with western broadcasters

Patrice Barrat( -top )
France - Managing director - Article Z, Paris (F)
1. Personal background
2. Attitude against TV
3. Alternative
4. Wath is Madmundo and his role
5. ESoDoc

Patrice Vivancos( -top )
Spain - General manager - Film Commission Comunidad Valenciana, Alicante (E)
1. His role at ESoDoc
2. Importance of stable production company behind project
3. Importance of production side and partnerships
4. Economical aspect of European public funds
5. Opportunity ESoDoc provides

Ritchie Cogan( -top )
UK - Director OWBT and Executive Producer BBC - One World Broadcasting Trust, London (UK)
1. ESoDoc
2. Relationship between NGOs and broadcasters/filmmakers
3. Documentary as a mean of change
4. Changes and tendencies of documentary broadcasting
5. Advises for independent filmmakers entering the market
6. Hopes for future of ESoDoc
7. Funding for independent filmmakers
8. Advise an independent filmmaker
9. Millenium Development Goals
10. UNDP
11. ESoDoc

Stefano Tealdi( -top )
Italy - Managing director - SteFilm, Turin (I)
1. Personal background
2. Teaching pitching
3. View of commissioning editors at pitchings
4. The sense of pitching
5. Opinion about ESoDoc

Susan Gray( -top )
USA - Documentary filmmaker
1. Personal background
2. Content of workshop
3. About ESoDoc

Sybille Kurz( -top )
Germany - Holder - Pitching- and Communication Skills, Erbach (D)
1. History of pitching
2. Pitching skills
3. Most important aspects in pitching for commissioning editors
4. Her role at ESoDoc

Tambudzai Madzimure( -top )
South Africa - Director - SACOD - Southern Africa Communications for Development, Braamfontein (ZA)
1. ESoDoc
2. Background / Sacod
3. Work together with NGOs